Corporate Portrait
For my corporate portrait, I want to use a simple light set up for my model but have a serious and confident expression and manner to represent professionalism.
I am basing my portait to be used to represent a lawyer (from the task sheet example). As the profession is quite a serious and challenging job, I want to express trust, assurance and confidence which is what clientele look for for representation (also felt a bit sick of seeing cheesy smiles plastered on my screen when researching).
I am basing my portait to be used to represent a lawyer (from the task sheet example). As the profession is quite a serious and challenging job, I want to express trust, assurance and confidence which is what clientele look for for representation (also felt a bit sick of seeing cheesy smiles plastered on my screen when researching).
Examples of my corporate idea.
I like the lighting scheme but there's almost a bit of boredom in the subjects face.
I like the frontal lighting and the direct body language and attention towards the camera.
Simple, nice lighting, cropping is a bit small though.
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Group Portrait
For my group portrait, I am wanting to photograph a small group of Samba performers who represent Kokoloco Dance Studio and perform at weddings and events. The bright coloured costumes and confident performers will make for an interesting group portrait.
Participants are willing the moment I give a proper shooting date.
Examples of my group image idea.
Participants are willing the moment I give a proper shooting date.
Examples of my group image idea.
An example of a group of samba performers: even light on the subjects but I want 2 backlights to give the costumes more definition and emphasis.
Example of the effect of the back lighting and frontal, over head lighting.
In Samba, emphasis on the chest and torso area are important , this to create length and confidence when performing. Main front light will be placed high and focus on illuminating the head and torso and drop off more at the hips. the main light will have a diffuser to make the subjects more evenly light and help to emphasise the backlight. Only challenge maybe requiring a bit of room for the shoot as head pieces are quite tall a require enough distance to evenly spread light on subjects and their headpieces.
Might consider having two main, diffused lights.
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Might consider having two main, diffused lights.
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Editorial
For My Editorial shoot I have decided to base my portrait on Vogue Magazine (general Vogue, including issues internationally). From my research on Vogue's past covers, there are verried lighting used and different moods expressed. One thing that remained a theme was the high fashion (of course) but also the subjects, whether they are models or celebrities, there is mood of female dominance and empowerment. This is what I find is one of the appeals has Vogue magazine towards female readers.
I have chosen to use fashion and female empowerment as the theme for my editorial for Vogue.
I also wanted to incorporate a slight winter theme to my shoot as if this was for Australian Vogue's following issue for the winter months.
The story idea I have for my model is that she is star that has broken out of her 'child star' image and is embracing her young adult life through her upcoming major role in an upcoming film. The feature is an interview on the stars metamorphosis.
To show that change, I want to use some symbolism in the clothing to help convey the story;
I have a red coat (red being a captivating and sensual colour) with a grey faux fur shawl to dress it up and create a wintery feeling. Like a lot of fashion shoots, models always look like they're freezing their butts off, mine might not be an exception, underneath the coat there will be just lace (a black crop top if thats less revealing) and black tights, bottom half wont be seen anyway.
Model will be Rose Ottley.
Examples of my editorial.
I have chosen to use fashion and female empowerment as the theme for my editorial for Vogue.
I also wanted to incorporate a slight winter theme to my shoot as if this was for Australian Vogue's following issue for the winter months.
The story idea I have for my model is that she is star that has broken out of her 'child star' image and is embracing her young adult life through her upcoming major role in an upcoming film. The feature is an interview on the stars metamorphosis.
To show that change, I want to use some symbolism in the clothing to help convey the story;
I have a red coat (red being a captivating and sensual colour) with a grey faux fur shawl to dress it up and create a wintery feeling. Like a lot of fashion shoots, models always look like they're freezing their butts off, mine might not be an exception, underneath the coat there will be just lace (a black crop top if thats less revealing) and black tights, bottom half wont be seen anyway.
Model will be Rose Ottley.
Examples of my editorial.
I like this image for it's direction of light and shadow (despite it being flash), the image incorporates a slight mixture of broad and hollywood lighting which I am considering for my shoot. I also like the subject matter and the direct gaze and strong stance that holds attention.
Similar light direction, but more overhead than the previous, I also like how the light drops off from the hips. The pose is strong with a bit of attitude. My model will be shot from head to hips and may need to show more body language from the arms and shoulders as shown in the example.
Similar lighting again.
Will be post lighting diagrams and image sketches with shoot dates soon.
- http://www.tributeproductions.biz/talent/international/aroundtheworld.html#.UVrd7Ksd6tg
- http://dancabrazil.com.au/about/becky-kern/
- http://www.maddance.com.au/blog/mandy-mcgill/mandy-mcgill-green-samba-costume/
- http://art8amby.wordpress.com/2012/07/16/
- http://www.stylesaint.com/stylebooks/4f21e261ee8ffb4544000333
- http://fashion.telegraph.co.uk/galleries/TMG9705476/Best-fashion-magazine-covers-January.html
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